Estimated Arrival: Between Feb 02 and Feb 06. *ETA to USA Only
The Perfect Man - Hilary Duff stars in this comedy as Holly, a teenager whose lovelorn single mom (Heather Locklear) moves the family--including her youngest daughter (Aria Wallace)--to a new state every time she gets dumped, which is often. Their latest residence turns out to be Brooklyn, where the now thoroughly destabilized Holly decides that enough is enough and works to prevent mom from dating yet another local loser. She uses a friend's handsome uncle (Chris Noth) as the unwitting basis for a fictional secret admirer to keep mom occupied, but the deception quickly spins out of control, resulting in some madcap hijinks. Meanwhile, a classmate who is a comic book artist (Ben Feldman) falls for Holly, but she's way too edgy to notice that love has found her instead of her mom. This whimsical plotline may sound familiar to any non-'tweener in the audience, but it works due to the relaxed, natural rapport between Duff and Locklear who share some heartfelt moments of mother-daughter bonding. Plus, no one can squirm in tortured embarrassment quite as effectively as Duff can, and she gets plenty of opportunities. The soundtrack is peppered with Styx songs (singer Dennis DeYoung plays an impersonator of himself) and Vanessa Lengies quietly stands out with plenty of natural grace as Holly's hipster high school buddy.
Head Over Heels - Amanda (Monica Potter) is a nice, regular girl who moves to New York to work as an art restorer, and begins sharing an apartment with four quirky roommates who are all fashion models. She keeps bumping into Jim Winston (Freddie Prinze, Jr.), the seriously cute boy who lives in the apartment building across the street, who weakens her knees and fumbles her words. Having resolved herself to hopelessly peeping through his window, Amanda's sympathetic and seriously fashionable roommates finally dress her and make her up to crash a party he's throwing. Relaxed and feeling beautiful, Amanda finally speaks to Jim, and he at last discovers her charms and asks her out. Returning to her apartment on cloud nine later that evening, she spies him apparently committing a murder, and calls the police. The cops assume Amanda and the girls are just airhead models and dismiss the claim. Even her roomies are unsure, but find themselves swept up in the drama of Amanda's REAR WINDOW-esque investigation. Filled with good-natured pokes at models and the fashion industry, HEAD OVER HEELS is a romantic comedy powered by an energetic 1980s-style soundtrack and directed by Mark S. Waters (THE HOUSE OF YES).
Wimbledon - Richard Loncraine's WIMBLEDON is a lighthearted romantic comedy set in the high-pressure world of professional tennis. Peter Colt (Paul Bettany) is a 31-year-old Englishman who was once ranked 11th in the world, but has now dropped to a pathetic 119th. Realizing that his days are numbered, Peter intends to retire from the game after playing in one final Wimbledon. But when he accidentally walks into the hotel room of rising American star Lizzie Bradbury (Kirsten Dunst), sparks begin to fly and Peter begins to find his touch on the court once again. Unfortunately for Peter, Lizzie's overbearing father, Dennis (Sam Neill), is well aware that Lizzie's game suffers when she is distracted by love, and he bans the two from seeing each other. This doesn't bode well for Peter, who is about to play in the final against cocky American superstar Jake Hammond (Austin Nichols). Not to mention the fact that Peter has the hopes of an entire nation riding on his shoulders. Loncraine's breezy comedy is fueled by the chemistry between Bettany and Dunst, and also features several memorable supporting characters--including Peter's bickering parents (Bernard Hill and Eleanor Bron), his goofy brother (James McAvoy), his practice partner (Nikolaj Coster-Waldau), and his cell phone-wielding agent (Jon Favreau).
The Story of Us - Told in an engaging collage of direct camera confessionals, flashbacks, roundtable discussions, and montages, Rob Reiner's THE STORY OF US, a sweet romantic comedy featuring solid performances by Bruce Willis and Michelle Pfeiffer, examines the difficulty of preserving marriage in America and the dual lives married couples often must endure. The "us" are Ben and Katie Jordan (Willis and Pfeiffer), a professional, and by all appearances happily married, suburban couple with two well-adjusted children, Erin and Josh; the "story," however, is that their marriage is actually crumbling at an alarming rate, a truth they endeavor to hide from their loving kids. Luckily, they can postpone the admission of dissolution because of the children's departure to summer camp, with the possibility that things will work out in the ensuing months. However, as time passes, tempers flare, Ben moves out, Katie meets a charming divorcé at a cooking class, and, as the inevitable return of Erin and Josh closes to a week, there is no apparent hope of resolution. Will the two be forced to present their kids with an awful fact of life, or can they rediscover their passion for each other and renew their love?